A Sonic Spectacle: Night Wilds’ Rock Opera ‘All That Should Have Been’ (Album Review)
The concept album 'All That Should Have Been' by Night Wilds starts off with spectacle but quickly develops into a…
Confessional Avant-Pop: Nick Hudson’s ‘For My Silence’
From the longing in Hudson’s powerful voice, to the lovely piano and string work, and the wiser-than-his-age lyrics, “For My…
‘Dark Overtones’: With Synthrock Trio Agency-V (Q&A)
I chat with electronic rock trio Agency V: Marie Williamson (vocals), Lloyd Price (synths, programming), and Peter Steer (guitars),
Smoke and Mirrors Sound System Delight With XTC Cover ‘Senses Working Overtime’
In their brand new version of the classic XTC song “Senses Work Overtime,” Smoke And Mirrors Sound System give this…
From Sydney’s Depths: The Eunuchs Preview Tracks From Brilliant ‘Harbour Century’
It’s a fun challenge trying to categorize the new album, 'Harbour Century,' by Australian band The Eunuchs.
The Veldt Release Lost ‘Debut’ Album ‘Illuminated 1989’
Kindred cousins with shoegaze pioneers Cocteau Twins since the late 1980s, American rock band The Veldt just released their shelved…
VIDEO: ‘Born Losers’ by Autogramm Is A Winning Proposition
U.S. rock band Autogramm offers a song and video that are sweetly catchy and charming, with valuable messages, clever hooks,…