From literary artists to filmmakers and painters Popular Culture Beat has fresh interviews.
On his soundtrack to the fascinating new film ‘Blood Of The Ancient Vine,’ branded with Icons Of Industry, Montoya and his collaborators João Martins, José Pedro Lima, and Nuno Silva explore the traditional music of The Iberian Peninsula.
When director Greta Gerwig and Margot Robbie were snubbed by the Oscars nominating committee, further controversy ensued. I asked four female musical artists to share their views on Barbie, and got very different takes.
On ‘Privacy Policy,’ her just released 14 track set by Latex Cop, New Orleans-based artist Sara Storm reveals the inspiration she finds in studies of criminal justice.
In a new animated video created by filmmaker Tawd B. Dorenfeld, Los Angeles based singer/songwriter Harry Cloud flexes his awe-inspiring gift for strange sounds with “A Thin Layer Of Slugs.”
Kindred cousins with shoegaze pioneers Cocteau Twins since the late 1980s, American rock band The Veldt just released their shelved debut album ‘Illuminated 1989’ on Little Cloud Records.
The just released Box Of Darkness is a lovely 8-track set released on Optik Muzak. Inspired initially by another U.S.-based electronic musician, Philip Glass, Glass Machine’s songs build on the mysterious, sometimes magical interaction between human, instrument and machine.
It’s no surprise then, that BlakLight’s gift to their fans this Christmas is somewhat gloomy. I got the chance to ask synthesist Adam Collier about the release, BlakChristmas, and its two tunes, “Mercy, Lies, Poison, Stain” and “You Will Never Be Alone.”